Type

Art

Role

Individual

Date

2026

#

Art

#

Speculative

#

Installation

#

Computing

Collective Silence III

Translating invisible environmental signals into an evolving visual field.

Collective Silence III installation with wood, digital screens and a sensing structure in the exhibition space.

Collective Silence III

How can we sense what remains beyond human perception?

Collective Silence III investigates volatile signals released by plants and materials: exchanges that circulate through an environment but remain largely outside ordinary human perception.


A fragment of wood, mirrored surfaces, hand-drawn textile, digital screens and sensing technologies form a speculative sensing body. Live environmental data becomes a shifting visual field, while recorded footage traces an earlier encounter between a plant and its surroundings.


The installation asks how technology might make these ecological exchanges perceptible without reducing them to fixed information.

Collective Silence III, installation view with wood, screens and sensing structure.
Collective Silence III, installation view with wood, screens and sensing structure.
Digital screen set into the wood and hand-drawn textile of Collective Silence III.
Two digital screens on the wooden body of Collective Silence III.

Position

Ecological exchange takes place beyond what humans can readily see or hear. Collective Silence III approaches this gap through volatile signals: the changing traces released by plants and materials into a shared environment.


Sensing becomes an act of interpretation. The installation brings environmental readings into a visual field while keeping the physical materials present, inviting attention to the relationship between a signal, its translation and the world it comes from.


The work asks what becomes perceptible through technology, and what remains unresolved when a living exchange is made visible.

Wood, textile and digital screens assembled in Collective Silence III.

Process​

Wood, mirrored surfaces and hand-drawn textile bring the material environment into contact with digital screens and sensing technologies. Early sketches explored the supporting structure and the placement of screens and textile across the wood.


Live environmental data is translated into a changing visual field. Alongside it, recorded footage holds an earlier encounter between a plant and its surroundings, bringing present readings and recorded time into the same installation.

Early hand-drawn study of the supporting structure and screen placement for Collective Silence III.
Annotated layout study for the screens and textile across the wood in Collective Silence III.

Film

Collective Silence III — Project film, 2026

A moving-image introduction to the installation, its materials and its changing visual field.

Exhibition

if (kinship) { become(); }
2026 MFA/MA Computational Arts Exhibition

13–15 August 2026
St. James Hatcham Building
Goldsmiths, University of London
London SE14 6AD

Official poster for if (kinship) { become(); }, the 2026 MFA/MA Computational Arts Exhibition at Goldsmiths, 13–15 August 2026.